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Borrow, George Henry, 1803-1881

"Wild Wales: Its People, Language and Scenery"

No one was better
acquainted with nature; he was a stroller, and there is every
probability that during the greater part of the summer he had no
other roof than the foliage, and that the voices of birds and
animals were more familiar to his ears than was the voice of man.
During the summer months, indeed, in the early part of his life, he
was, if we may credit him, generally lying perdue in the woodland
or mountain recesses near the habitation of his mistress, before or
after her marriage, awaiting her secret visits, made whenever she
could escape the vigilance of her parents, or the watchful of her
husband, and during her absence he had nothing better to do than to
observe objects of nature and describe them. His ode to the Fox,
one of the most admirable of his pieces, was composed on one of
these occasions.
Want of space prevents the writer from saying as much as he could
wish about the genius of this wonderful man, the greatest of his
country's songsters, well calculated by nature to do honour to the
most polished age and the most widely-spoken language. The bards
his contemporaries, and those who succeeded him for several hundred
years, were perfectly convinced of his superiority, not only over
themselves, but over all the poets of the past; and one, and a
mighty one, old Iolo the bard of Glendower, went so far as to
insinuate that after Ab Gwilym it would be of little avail for any
one to make verses -

"Aed lle mae'r eang dangneff,
Ac aed y gerdd gydag ef.


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