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??hlbach, L. (Luise), 1814-1873

"The Daughter of an Empress"

It is the greatest, most
sublime moment of the whole ceremony. The pope, having put the golden
tube to his lips, sips the wine changed into blood.
While the pope drinks the two cardinals who to-day are on service
approach the sacred throne. They hold a torch in the right hand and a
small bundle of tow in the left, and according to the custom, set the
tow on fire.
It flashes up in a bright flame, is soon extinguished, and a small,
almost imperceptible quantity of ashes floats from it to the feet of the
pope.
"_Sic transit gloria mundi!_" (So passes the glory of the world!)
exclaimed Francesco Albani, with proud presumptuousness and with
maliciously scornful glances, while with an expression of savage triumph
he stares in the paling face of the pope. "_Sic transit gloria mundi!_"
repeated Albani, in a yet louder and more thundering voice.
The bells ring, the hymn resounds, the trombone and organ clang; the
audience are on their knees in prayer. A bustle arises, a suppressed
murmur--the holy father of Christendom has fainted upon his throne like
any common mortal man.


THE VAPO
Since Paulo had left her, and she found herself alone, Natalie felt sad,
solitary, in the paradise that surrounded her.


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