For a moment there
passed across her face a wave of such emotion that I felt afraid she
would lose command over herself. She wanted to say something and could
not; she only pressed my hand. I thought she might burst into tears,
but I did not give her time, and continued quickly in the same tone:--
"What about the portrait? The head was finished when you left Vienna,
was it not? Angeli will not send it soon, because he said to me it
would be his masterpiece. He will want to exhibit it in Vienna,
Munich, and Paris. It is lucky I asked him to make a copy, otherwise
we might wait a year before we got it. I wanted a copy for myself."
She was obliged to fall in with my humor in spite of all the emotions
that worked in her breast, especially as my aunt and Pani Celina took
part in the conversation. In this way the first awkward moments were
tided over. Everything I said was intended to divert our attention
from the real state of feelings. I kept on in the same strain all the
evening, although at times I felt the perspiration breaking out on my
forehead from the effort. I was still weak after my recent illness,
and all this told upon me terribly.
During supper Aniela looked at my pale face and the gray hairs. I
saw she guessed what I must have suffered. I spoke about my Berlin
experiences almost gayly. I avoided looking at her changed appearance,
so as not to let her see that I had noticed it, and that the sight
moved me deeply.
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