He muses,
philosophizes, utters the most profound observations upon life, art,
and the mystery of things. He puts mankind and himself upon the
dissecting-table.
Here is a nature so sensitive that it photographs every impression,
an artistic temperament, a highly endowed organism; yet it produces
nothing. The secret of this unproductiveness lies perhaps in a certain
tendency to analyze and philosophize away every strong emotion that
should lead to action. Here is a man in possession of two distinct
selves,--the one emotional, active; the other eternally occupied in
self-contemplation, judgment, and criticism. The one paralyzes the
other. He defines himself as "a genius without a portfolio," just as
there are certain ministers-of-state without portfolios.
In such a character many of us will find just enough of ourselves to
make its weaknesses distasteful to us. We resent, just because
we recognize the truth of the picture. Leon Ploszowski belongs
unmistakably to our own times. His doubts and his dilettanteism are
our own. His fine aesthetic sense, his pessimism, his self-probings,
his weariness, his overstrung nerves, his whole philosophy of
negation,--these are qualities belonging to this century, the outcome
of our own age and culture.
If this were all the book offers us one might well wonder why it
was written.
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