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Various

"Punch, or the London Charivari, Volume 1, November 6, 1841,"

Now, before
he took upon himself to become an emancipationist, he might--one cannot
help thinking--have had the decency--_like Saint Fowell Buxton_--to _sell_
his slaves to somebody else, and to come into court with clean hands. But
so far from doing so, _Vipper_ having discovered that _Julie_ is a
run-away slave from _Vincent's_ estate, just as she is ending the first
act by going to be married, the latter takes the whole of the second act
to claim her!
Though the argufiers change sides on account of the change of
affairs--_Vincent_ insisting, as _liberals_ so often do, upon his vested
rights in _Julie_ as opposed to _Pelham's_ matrimonial ones--though the
heroine renders her pathetics affecting by a prostration or two before the
rivals--though she rushes upon a parapet to commit suicide--though she is
saved, and at length succeeds by force of mere argument to get her
new-found master to give her up to her husband; yet this second act was
somewhat dull; insomuch that the audience did not seem to regret when the
curtain dropped the subject, and announced their own emancipation from the
theatre.


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