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Rinehart, Mary Roberts, 1876-1958

"The Street of Seven Stars"


The chandelier was not lighted on this rainy November night.
Outside in the garden the trees creaked and bent before the wind,
and the heavy barred gate, left open by the last comer, a piano
student named Scatchett and dubbed "Scatch"--the gate slammed to
and fro monotonously, giving now and then just enough pause for a
hope that it had latched itself, a hope that was always destroyed
by the next gust.
One candle burned in the salon. Originally lighted for the
purpose of enabling Miss Scatchett to locate the score of a
Tschaikowsky concerto, it had been moved to the small center
table, and had served to give light if not festivity to the
afternoon coffee and cakes. It still burned, a gnarled and stubby
fragment, in its china holder; round it the disorder of the
recent refreshment, three empty cups, a half of a small cake, a
crumpled napkin or two,--there were never enough to go
round,--and on the floor the score of the concerto, clearly
abandoned for the things of the flesh.
The room was cold. The long casement windows creaked in time with
the slamming of the gate and the candle flickered in response to
a draft under the doors. The concerto flapped and slid along the
uneven old floor. At the sound a girl in a black dress, who had
been huddled near the tile stove, rose impatiently and picked it
up. There was no impatience, however, in the way she handled the
loose sheets. She put them together carefully, almost tenderly,
and placed them on the top of the grand piano, anchoring them
against the draft with a china dog from the stand.


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