How
the lungs, who are Siamese twins, called to the heart to pump them up
some blood to air, because they were almost out of work, and how the big
lazy liver lay on one side and groaned because he had drunk too much
coffee for breakfast, and had a headache,--until Richard really felt that
he had achieved something. So the first thing this morning he set about
making a snow man, that he might put the beet vitals in their proper
places, nearly convulsing father by their location. Though, as he told
me, they were accurate, compared to the ideas of many trained nurses with
whom he had come in contact.
But where was Ian during the beet carving? Father quite forgot him
until, Richard falling asleep in his arms, he arose to tuck him up on
the sofa. A sound of the slow turning of large pages guided him to the
corner by the bay window where some bookcases, standing back to back,
made a sort of alcove. There was Ian, flat upon his stomach, while
before him the "Wandering Jew" legend, with the Dore pictures, lay open
at the final scene--The Last Judgment--where the Jew, his journey over,
looks up at the angels coming to greet him, while little devils pull
vainly at his tattered boots. It was not the Jew or the angels, however,
that held Ian's attention, and whose outlines he was tracing with his
forefinger, but the devils, one big fellow with cows' horns and wings
drooping like those of a moulting crow, and a bevy of imps with young
horns and curly tails who were pulling a half-buried body toward the
fiery pit by its hair.
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