For you must remember how you saw the vegetable dishes,
for example, being made in moulds; and how the handles of teacups,
and the spouts of teapots, and the feet of tureens, and so forth,
are all made in little separate moulds, and are each stuck on to
the body corporate, of which it is destined to form a part, with a
stuff called 'slag,' as quickly as you can recollect it. Further,
you learnt - you know you did - in the same visit, how the
beautiful sculptures in the delicate new material called Parian,
are all constructed in moulds; how, into that material, animal
bones are ground up, because the phosphate of lime contained in
bones makes it translucent; how everything is moulded, before going
into the fire, one-fourth larger than it is intended to come out of
the fire, because it shrinks in that proportion in the intense
heat; how, when a figure shrinks unequally, it is spoiled -
emerging from the furnace a misshapen birth; a big head and a
little body, or a little head and a big body, or a Quasimodo with
long arms and short legs, or a Miss Biffin with neither legs nor
arms worth mentioning.
And as to the Kilns, in which the firing takes place, and in which
some of the more precious articles are burnt repeatedly, in various
stages of their process towards completion, - as to the Kilns (says
the plate, warming with the recollection), if you don't remember
THEM with a horrible interest, what did you ever go to Copeland's
for? When you stood inside of one of those inverted bowls of a
Pre-Adamite tobacco-pipe, looking up at the blue sky through the
open top far off, as you might have looked up from a well, sunk
under the centre of the pavement of the Pantheon at Rome, had you
the least idea where you were? And when you found yourself
surrounded, in that dome-shaped cavern, by innumerable columns of
an unearthly order of architecture, supporting nothing, and
squeezed close together as if a Pre-Adamite Samson had taken a vast
Hall in his arms and crushed it into the smallest possible space,
had you the least idea what they were? No (says the plate), of
course not! And when you found that each of those pillars was a
pile of ingeniously made vessels of coarse clay - called Saggers -
looking, when separate, like raised-pies for the table of the
mighty Giant Blunderbore, and now all full of various articles of
pottery ranged in them in baking order, the bottom of each vessel
serving for the cover of the one below, and the whole Kiln rapidly
filling with these, tier upon tier, until the last workman should
have barely room to crawl out, before the closing of the jagged
aperture in the wall and the kindling of the gradual fire; did you
not stand amazed to think that all the year round these dread
chambers are heating, white hot - and cooling - and filling - and
emptying - and being bricked up - and broken open - humanly
speaking, for ever and ever? To be sure you did! And standing in
one of those Kilns nearly full, and seeing a free crow shoot across
the aperture a-top, and learning how the fire would wax hotter and
hotter by slow degrees, and would cool similarly through a space of
from forty to sixty hours, did no remembrance of the days when
human clay was burnt oppress you? Yes.
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